Another really
fine review of "Twelve Strings to the Beau", this time from the
Harmonic Distortion blog.
Many thanks, Duncan Fletcher...
Beau - Twelve Strings To The Beau
Though very much a product of its era, it’s aged
pretty well. There’s a Donovan-esque naïvety on some tracks that today’s smug
smart arses might scoff at but that’s part of its charm. And the sparse
arrangements let you soak up the lyrics, which is what the record is really
about. Wordy, literate, informative and as beneficial as a slow release pill.
Subject matter is diverse, ranging from colonialism, war, industrial action as
well as the problems of Leeds ’ drainage
system. There’s also room for a love song or two. Give it a listen on a
relaxed, balmy summer evening with a glass of something nice and it will all
make sense. Beau is still making music so go catch him at a gig if you get the
chance.
Many thanks, Duncan Fletcher...
*****
Beau - Twelve Strings To The Beau
Lost album from Peel favourite
finally gets released. Fourteen tracks of post-Dylan, literary folk.
We all love a lost album
story don’t we, usually those featuring shelved classics such as The Beach Boys’
Smile or Dylan & The Band’s Basement Tapes. Though not as
well known as those artists, singer-songwriter Beau occupies a pretty hip
position within the parameters of Brit-folk, as having recorded the very first
release on John Peel’s Dandelion label. This 7” single, ‘1917 Revolution’, was
followed by two well-received albums for Dandelion.
A third album was recorded at
Tractor Sound Studios in Heywood Lancashire. Before Beau could secure a release
for this album real life intervened, prompting promotion at work and the
relocation of his family. The recordings were shelved, perhaps not forgotten
about, but certainly not listened to.
Fast forward 38 years to the
digital age and a random blog post about Beau sees connections and deals made.
The “lost” third album gets a release courtesy of The Sound Of Salvation label.
Featuring simply Beau’s singular voice and trademark twelve-string acoustic
guitar, the music lies somewhere in Dylan’s long shadow. Traditional folk song
forms with a sometimes political, sometimes introspective bent it owes much his
Bobness’ Another Side Of album.
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