Beau's Recordings
Wednesday, 6 November 2024
Once more into the breach - "Demagogue Rules"...
Friday, 25 October 2024
Monday, 7 October 2024
Stream "The Last Confessions Of A Saboteur"...
Tuesday, 24 September 2024
"The Roses Of Eyam" - topline music...
Sunday, 30 June 2024
Caught In The Act reviews "The Last Confessions Of A Saboteur"...
Many thanks, Brian!
BEAU
“The Last Confessions Of A Saboteur”
Cherry Red BEAULC1 – DL-only – (49:29)
…by Brian Hinton
The recent CD celebrating the troubadours and one man bands who plied their trade in Les Cousins basement dub in Soho reminded us of that amazing spurt of creativity. And they were built to last. Often after a long silence, I have been hugely impressed by recent gigs by Keith Christmas, Bridgit St John and other long lost visionaries.
Beau aka Trevor Mldgely, no longer plays live gigs, but has been extremely prolific on line, with virtual albums in 2021, 2022 and 2023 His latest album doesn’t hold back - "dogging on the pleasure beach" - but is a startling set, lovely 12 string guitar backing up his crystal clear vocals and pin sharp lyrics. Beau skewers some dangerous targets - Islamic extremists, champagne socialists, the bottom feeding media and cancel culture. Indeed in some parts of the Internet he might find himself cancelled. If not silenced.
For those who lost touch with him with his two long lost albums on John Peel’s label Dandelion, Beau is still a class act. I was reminded by a less plummy Jake Thackeray, or an English version of Loudon Wainwright when he had a weekly slot on a satirical TV show, to put the everyday world in context. If future generations want to know the preoccupations and irritations of the world of the mid 2020s, here it is, neatly skewered. It’s not easy listening, you can’t just put this on in the background at dinner parties (and those in Islington would be hugely affronted) but it is funny, to the point, and strangely energising. Good tunes too. It will gradually worm its way into your subconscious, and maybe help to explain the contemporary world in a witty, bemused and pun-enhanced manner, all of Beau’s own.
Brian Hinton
Beau song comments:
01 Shipwreck Island (3.46)
Courtesy of Daniel Defoe, Robert Louis Stevenson, R. M. Ballantyne and countless others, kids of all ages have imagined the perils of being shipwrecked on some remote desert isle. ‘Shipwreck Island’ feeds into this proud tradition.... almost!
02. Publish And Be Damned (4.58)
Celebrating the journalistic integrity of the free press, for so long the guardians of our liberty....
03. The Sound Of The Poulterer’s Man (4.23)
A song of possible redemption... In much the same way Sir Tom Stoppard used minor characters from Hamlet in his Rosencrantz and Guildenstem are Dead, so I’ve rather shamelessly dragooned a few personalities from Charles Dickens’ A Christmas Carol. Sorry; Sir Tom for pinching your idea, and Mr D for the impertinence!
04. The Barbershop Quartet (3.56)
We know what it’s like with cities; how unpleasant things have to take place underground to maintain the veneer of hygiene on the surface. Further up the food chain, nation states are remarkably similar; and almost always, what happens down below is something we’d rather not know about..,.
05 Never Trust A Cat (4.08)
In the sure and certain knowledge this will alienate 50% of the population.
06. The Passing Of Eli Mackay (5.07)
A modern morality tale.
07. The Minnow (3.24) Looking at many of the postings I see on social media, I fear one day I may understand human nature.
08. Chavasse (4.44)
‘The past is a foreign country: they did things differently there...’ (apologies for slightly misquoting L. P. Hartley).
09. A Cautionary Tale (4,36)
A jaunty little song about no-platforming — the intellectual equivalent of sticking your fingers in your ears and going la, la, la.—
10. Revolution Rendezvous (3.06)
Is a paean to champagne socialists everywhere....
11. The Watchmaker’s Arms (3.26)
Anyone who’s eavesdropped on taproom conversations in an old-fashioned British pub — the drinking-establishment kind that doesn’t serve up effete items such as food — will understand where this song’s coming from....
Sunday, 16 June 2024
"The Barbershop Quartet" on Alternative Roots (Brum Radio)...
Friday, 14 June 2024
"Song Of Accountability" on Roots & Branches, Australia...
Monday, 27 May 2024
Mark E Smith and Beau's "Creation"...
Sunday, 26 May 2024
The Folk Club plays "Chavasse"...
Monday, 29 April 2024
Sunday, 28 April 2024
Alternative Roots plays "Revolution Rendezvous"...
Saturday, 27 April 2024
Canada's "Let It Rock" reviews “The Last Confessions Of A Saboteur”...
BEAU – The Last Confessions Of A SaboteurCherry Red 2024
Applying the “divert and entertain” method to replace the “divide and conquer” approach, English singer-songwriter is keeping his audience’s focus fresh.
It seems to be so easy to accuse Beau’s oeuvre of certain performative sameness or dismiss the veteran’s songs as a simple vehicle for his poetry – because, of course, it is, first and foremost – but that would mean missing the point of Trevor Midgley’s restless efforts to see every year pass by with a new album to accompany the period’s events. However, were it mere reports on actual affairs arriving in the form of musical pieces, assessing the Leeds troubadour’s catalogue outside of temporal constraints will feel difficult, yet, fortunately, there’s always an eternity-baiting twist in his melodic missives to lure the listeners in and reel them into thinking. And what can serve as a thought-provoking process better than a slight cognitive displacement?
Here’s why the record is launched into sonic waters with “Shipwreck Island” which rings like a sea shanty exported to a soiree, Beau’s celesta-like 12-string guitar and high voice lulling the ton before the number’s stanzas bring home the bitter truth of its title sharing letters with “isolationism” that its lyrics maroon for all to marvel at. A pity he didn’t stack vocals to up the irony of “The Barbershop Quartet” but studio trickery has never been Midgley’s way of creating tuneful pictures – in his own words, “listening to the last confessions of a saboteur / it’s meaningless, it’s worthless even working up a sweat” – so don’t expect “Never Trust A Cat” to differentiate between canine and feline delivery either.
And if it comes across like memes, Trevor will send a few more schemes, packed into “Publish And Be Damned” – a ballad for a sacrificial lamb in the shape of facts the readership are loath to accept when offered a sensation by free press, the perspective also laid out under the pop sheen of “The Watchmaker’s Arms” – and “The Sound Of The Poulterer’s Man” that’s wrapped in a folk-informed waltz around social shams, while “The Minnow” graciously swims between puns of social media. And if it’s a bit histrionic, especially in the faux-jovial “A Cautionary Tale” which attacks no-platforming, “Chavasse” presents, via introducing the unjustly forgotten titular hero, a fresh history lesson the singer-songwriter is a specialist in.
But then “Song Of Accountability” gets rid of masks and metaphors to expose Beau’s barely restrained anger at the state of the world, the emotional nerve which is this album’s tightrope rendering it a thrill through and through. And that’s the thrill that’s not to be gone soon.
****4/5
"Roots & Branches" plays "Chavasse"...
Friday, 19 April 2024
Musixmatch family portrait!...
Musixmatch carries the lyrics to all eighteen of my Cherry Red album releases, all meticulously recorded over time by Vincas Stepankevicius in Lithuania.
It’s through Vincas’s efforts that the lyrics all appear contemporaneously when any of my tracks play on Spotify (just click on the little mic!)
Very many thanks for all your hard work, Vincas – it’s much appreciated!